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Home Topics Media and Foreign Policy Global Film Review

Mongol

By: Sean Patrick Murphy
Note: This post reflects the views of the author, not those of the Foreign Policy Association. The author is an independent contributor.

"Mongol" is solid for what it is: a portrayal of the young Genghis Khan in 12th century Mongolia.
With landscapes that provide stunning backdrops of just about every scene, this movie is easy on the eyes.
The problem, however, is with what the film leaves out.
[kml_flashembed movie="http://www.youtube.com/v/28OLBrW6PSM" width="425" height="350" wmode="transparent" /]
The life of Khan when he was a boy known as Temudjin is interesting and filled with drama. The audience learns much about Mongol culture by following the young man.
"Mongol" illuminates the life of Temudjin from the time he is 9 years old. It focuses on his relationship with his arranged bride, Borte, who is strong and patient throughout their ordeals.
There is also a fascinating friendship with Jamukha, who swears to be blood brother to Temudjin forever. Their bond is tested as they grow older.
The battle scenes are bloody and authentic-looking, even if they are limited to a few dozen people.

It is also interesting to watch the evolution of the young Temudjin from boy to khan to slave to khan again. The fact that he cheats death makes his legend even more compelling.
What this film omits entirely is the military training Temudjin received as a young man.
In many scenes he leads about a dozen people and then suddenly, towards the very end of the movie, he heads up thousands of warriors.
So, while it sheds light on the early life of a grand player in world history, "Mongol" is at best a prequel for a movie about Genghis Khan the warrior and leader.
“Mongol” with English subtitles is now available on DVD.

The author can be reached at [email protected]

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